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GEORGE & CAPLIN - THINGS PAST (BETA-LACTAM RING RECORDS)
 
G&C's music effectively combines glitch, experimental, ambient, darkwave, with sometimes pop running through this amalgam filter, to create music that is both beautiful and strange. "Things Past" kicks off with the brief but gorgeous ambience of "Outskirts of Combray." From there we hear the title track, a bit of stoned glitch-pop synthyness with a touch of lushness. "Stationwagon Sleepingbag" pulses with soothing glitchwork and meandering twists of electronic melody. "Her Kleenex Laughter" brings some buzz to the proceedings and seems to be somehow elevating and hitting gently an endorphin center of the brain; it's pretty in an unconventional way. One has to wonder if "Windowpane Rain" is a reference to acid, LSD, you dig? Windowpane, get it? Of course, oddly, it also is more organic than previous tracks, with acoustic guitar work. Electronica is present as accompaniment, by the way. And this is one of the album's more emotive tracks, inspiring melancholy and quietude. "Meringue Memories" reaches for epic expansiveness and transcendence, hinting at being elevated to the end of times, to sorry and joy in one big bang ... and it trickles to the quietest of passages. "Fields Talk" is a Edward Ka-Spel-ish return to ambient glitch-pop and "Kickboard Anchor" maintains the glitch style but as a more ambient-backed techno outing. "Filmstrips Fade" feels for the heart of a child, dark and light sides both, and also ponders from afar. "Roaming" is your chance to do some mental, inward roaming of your own and "Earl Grey Day" an appropriately evocative title. Finally, "Stolen Scone" places ends the disc on an alluring note of quietude. George & Caplin have quickly established themselves as experimental artists to be reckoned with and certainly one of Beta-lactam Ring Records name artists. -- review by Kristofer Upjohn


   

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